SilentComedyMafia.com

Just 33 seconds, but there's a bit that doesn't appear in the finished film. Enjoy
https://cdna.memoirefilmiquenouvelleaqu ... 17r0IO_nGA

What makes this interesting to comedy buffs is the fact that it represents the first or second film directed by James W. Horne (both were released on Jan. 27 1915). He came to Roach in 1928 with a lot of experience under his belt. From EYE: https://youtu.be/AEQ0J5I79QM

... that parts of The Silent Enemy were used as stock footage for Fatal Glass of Beer? In a Facebook conversation Frank M. Thompson asked about the source of stock footage in TFGoB. I confidently answered that it came from Yukon Jake. But Brent Walker chimed in with the nugget that Richard M. Robert...

From FIAF: Your local cinema is closed? You are stuck at home and have now run out of decent films and series to watch on your favourite streaming platform? Why not browse the amazing film and audio-visual collections of FIAF archives around the world freely available online? PACC, FIAF’s Programmin...

We're all familiar with Hart's farewell to the screen in the talking prologue to Tumbleweeds' 1938 re-release. But here are some humorous outtakes from a similar talkie short that Hart made in 1930 to promote his autobiography. Fritz refuses to cooperate and botches the scene. https://www.facebook.c...

Another one from Milan, a feature version of Pinocchio from 1911 starring Polidor. TRIGGER WARNING: This is best enjoyed with the horrific accompaniment turned off: https://vimeo.com/399190768

The Cinemateca Italiana in Milan has uploaded many of their holding online. This one was posted under the name Harold Antiquario, but was identified by Valerio Greco as an early glasses short, The Big Idea. With Snub and Bebe: https://vimeo.com/385199484

A parody of you-know-what with Morecambe & Wise: https://youtu.be/HGNoG30pGa0

Joyland is worth the price of the set alone. An anticipated screening at a long-ago Cinefest had to be scrubbed because the 16mm print was too shrunken. It will simultaneously delight you and haunt your nightmares. But mostly astonish you. I’d love to know what show or vaude act the sets came from.

I remember earlier versions of The Cameraman had the missing scene that ended abruptly as Keaton approached the hotel with his camera. More recent restorations omit that bit because it makes no sense without the payoff. I may even have that on VHS from an old pre-restoration TCM broadcast. Did the Y...